The Law of One Sessions 32: Question 12

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32.12 Questioner: Can you give me an idea how the different colors… This is a difficult question to ask. I hardly have any words. What I’m trying to get at is how the different colors I might say originate as these functions or the essence, you might say, of the origin of these colors as functions for these different expressions in consciousness. I don’t know if this question is sufficient.

Ra: I am Ra. This question is sufficiently clear for us to attempt explanation of what, as you have observed, is not easily grasped material for the intellectual mind. The nature of vibration is such that it may be seen as having mathematically strait or narrow steps. These steps may be seen as having boundaries. Within each boundary there are infinite gradations of vibration or color. However, as one approaches a boundary, an effort must be made to cross that boundary. These colors are a simplistic way of expressing the boundary divisions of your density. There is also the time/space analogy which may be seen as the color itself in a modified aspect.

68.12 Questioner: It would seem to me that since I can’t imagine anything anything worse, shall I say, than this particular result, other than possibly the total disintegration of the mind/body/spirit complex due to nuclear bomb, that it would be very advisable to seek out the magical training and defense for this situation. Could Ra and would Ra instruct in this type of magical defense?

Ra: I am Ra. This request lies beyond the first distortion. The entity seeking magical ability must do so in a certain manner. We may give instructions of a general nature. This we have already done. The instrument has begun the process of balancing the self. This is a lengthy process.

To take an entity before it is ready and offer it the scepter of magical power is to infringe in an unbalanced manner. We may suggest with some asperity* that the instrument never call upon Ra in any way while unprotected by the configuration which is at this time present.

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